Sunday, April 15, 2018

Iron Sky

Concepts don’t really come any higher than this. IRON SKY posits that the Nazis fled Earth near the end of World War II and set up a secret base on the dark side of the Moon. Seventy years later, this lunar “Fourth Reich,” led by Führer Korzfleisch (Udo Kier) and his SS sidekick Adler (Götz Otto), is planning an invasion of Earth, but is surprised when an American space capsule lands nearby. Adler kills one astronaut and takes prisoner the other: an African-American named James Washington (Christopher Kirby).

Unfortunately for the Nazis, they can’t get their giant warship Götterdämmerung to work properly, as their computer technology is still rooted in the 1940s. Discovering Washington’s smartphone, Adler brainwashes Washington, bleaches his hair and skin white (!) to pass for a proper Aryan, and takes a flying saucer to Earth in order to meet U.S. president Sarah Palin (Stephanie Paul) and get more computer phones.

Director Timo Vuorensola plays this for comedy — perhaps wise considering the absurd premise. More than broad comedy, much of the humor is in the form of sharp political satire that doesn’t treat the United States with kid gloves. It’s no surprise the corporations that control film distribution in the United States stayed far away from IRON SKY, which isn’t shy about equating Nazi theology and contemporary right-wing rhetoric, as personified by the American president (who, to be fair, isn’t specifically named Palin, but come on…) and her vulgar campaign manager (Peta Sergeant).

Shot in several different countries on a low budget, reportedly around $10 million, IRON SKY doesn’t have the visual effects money to match its imaginative production design, which includes a moonbase shaped like a giant swastika. The actors are unafraid to tackle the silly concept and sharp anti-American humor head-on with special props going to the very funny Kirby and to top-billed Julia Dietze, who is charming as a Nazi teacher who uses an edited ten-minute cut of Chaplin’s THE GREAT DICTATOR to indoctrinate the base’s children.

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